Different people view and interpret sculpture differently. To me, I find the hidden veins of thought that lie behind sculpture intriguing and that their merit unraveling.
My sculptures do not originate from simulating existing forms. They are conceived as abstract expressions of forms. Nonetheless, this abstraction is far from arbitrary. Rather, it is a series of thoughts, derived after careful retrospection, and made concrete.
Therefore in order to provide a departing point from where a person can begin to understand and critique my work, it would be necessary to explain the underlying elements that influence my work. I am talking about the Formal Language of the Metaphysical, an area of inquiry that has directed the path of my thoughts over the past twenty years.
My sculptures are my attempts to concretize this Formal Language of the Metaphysical. I use simple forms to underscore the primitive association between form and meaning. With my sculptures, I hope to touch that first instance when concept and form meet, in order to take people back to the origin when man became conscious of his own existence.
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